![]() The plan works, and after the men are released, Rama goes to work for Uco’s dad, Bangun (Tio Pakusadewo).īangun has long co-existed with Goto (Kenichi Endo), who heads a Jakarta-based Japanese crime family. “The Raid 2” sends Rama undercover to prison, where he’s assigned to ingratiate himself with Uco (Arifin Putra), the son of a local crime lord. He’s much better at punching than brooding, pondering or vacillating. The story is convoluted without being profound, and although there are some strong secondary performances, Uwais is interesting only when in motion. The script and acting, however, prove less successful. ![]() The fight choreography - by Uwais and co-star Yayan Ruhian - is brilliant the filming, editing and sound design are flawless. Writer-director Gareth Evans and his collaborators, essentially the same team as before, have absorbed and refined the tactics of many action masters, notably Hong Kong’s Tsui Hark. The brawling itself is every bit as inventive and exhilarating this time around. But the sequel runs nearly an hour longer and has a less dynamic rhythm. “The Raid 2” features the same hero, Rama (Iko Uwais), and pays homage to the earlier movie by staging many battles in tight quarters, including a car, a prison cell and a walk-in wine cabinet. Beleaguered SWAT cops fought their way to the top of the building, and one of them prevailed through the brutal, claustrophobic combat. The first film was basically a non-stop action sequence, set almost entirely in a gangster-infested tenement. But this time the genius is intermittent. Its follow-up, “ The Raid 2,” is equally diabolical. “ The Raid: Redemption,” which kicked and slugged its way out of Jakarta two years ago, was a work of diabolical genius.
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